FUTUR4
Show details :
Performance by: Helgard Haug & Daniel Wetzel
With: Ursula Gärtner, Xenia Klinge, Ursula_Bot
With: Ursula Gärtner, Xenia Klinge, Ursula_Bot
Concept, text & direction: Helgard Haug și Daniel Wetzel
Dramaturgy: Christiane Kühl
Scenography: Dominik Steinmann
Technical direction, light design, show system design: Joscha Eckert
Video design: Juan Pablo Gaviria Bedoya
Costume: Christine Ruynat
Sound design: Peter Breitenbach
Artistic collaboration director: Paula Holzhauer
Internship: Milli Keil
Collaboration Research & Production Management: Lara Fischer
Dramaturgy: Christiane Kühl
Scenography: Dominik Steinmann
Technical direction, light design, show system design: Joscha Eckert
Video design: Juan Pablo Gaviria Bedoya
Costume: Christine Ruynat
Sound design: Peter Breitenbach
Artistic collaboration director: Paula Holzhauer
Internship: Milli Keil
Collaboration Research & Production Management: Lara Fischer
A production by Rimini Apparat in co-production with:
Goethe-Institut București, Hessisches Staatstheater Wiesbaden, Festivalul Internațional de Teatru de la Sibiu / Teatrul Național „Radu Stanca” Sibiu (România), Theater RAMPE Stuttgart și Theater im Pumpenhaus.
Goethe-Institut București, Hessisches Staatstheater Wiesbaden, Festivalul Internațional de Teatru de la Sibiu / Teatrul Național „Radu Stanca” Sibiu (România), Theater RAMPE Stuttgart și Theater im Pumpenhaus.
Performance rights: schaefersphilippen theatre and media GbR
The production is funded by the project
„NARDIV - United in Narrative Diversity? Cultural (Ex-)Change and Mutual Perceptions in Eastern and Western Europe at the threshold of the digital age”
The production is also funded by:
Fundația Baden-Württemberg și Kunststiftung NRW.
„NARDIV - United in Narrative Diversity? Cultural (Ex-)Change and Mutual Perceptions in Eastern and Western Europe at the threshold of the digital age”
The production is also funded by:
Fundația Baden-Württemberg și Kunststiftung NRW.
Premiere Date :
20-06-2025
The protagonist of this documentary science-fiction play, a Transylvanian Saxon, was bought out of Romania by West Germany in the 1970s. Back then, the future seemed nothing but bright. 50 years and many turning points later, she engages on stage in a dialog with different simulations of herself – constructed by A.I. on the basis of private and historical data. Patterns of the past are extrapolated into ever new futures, questioning expectations and possibilities alike. As memories are rewritten in real-time, the piece examines identity, freedom, and life as an evolving narrative.
Rimini-Protokoll's theater is certainly a milestone of contemporary theatre, but also a way to understand the future of performing arts.
